Becoming a parent changes you and your relationship with your partner. True as this is, banal statements of this kind say little about what fathering is like and do nothing to prepare you for the riot of emotions that go with the job.
NYC-based photographer Phillip Toledano‘s The Reluctant Father goes a long way to addressing the reality in humourous and ultimately touching way..
He likens confronting the fruit of his loins to a series of close encounters with an alien being.
His experience was all the more traumatic because, as he freely admits, “I was never particularly interested in having kids”. It was just something that happened. Continue reading
THE LEATHER BOYS directed by Sidney J. Furie (UK, 1964)
The sixties might have swung for many but cinema’s representation of sexuality in this era was often anything but liberated.
The notion that sexual intercourse necessitates the removal of clothing is just one of the taboos filmmakers were reluctant to challenge.
An honest visual display of carnal lust and desire is controversial enough in straight relationships and is still more taboo when it comes to homosexuality.
Even in our supposedly more enlightened 21st century, coming to terms with being gay can be unnecessarily traumatic. Ellen Page’s emotionally charged coming out speech is proof that this is still too often the “love that dare not speak its name”.
Mainstream cinema perpetuates negative attitudes by rarely treating same-sex relationships in an open or mature fashion.
The Leather Boys is regarded as an early example of ‘Queer Cinema’ and is unusual in that it tentatively tries to ‘normalise’ homosexuality instead of showing it as a threat to the moral wellbeing of society. Continue reading
A TASTE OF HONEY directed by Tony Richardson (UK, 1961)
Shelagh Delaney’s unsentimental view of procreation puts the hearts and flowers romance of Valentine’s Day into proper perspective : “It’s chaotic – a bit of love, a bit of lust and there you are. We don’t ask for life, we have it thrust upon us”.
Lines like these help explain why A Taste of Honey retains its contemporary edge more than half a century after it was first performed.
London’s National Theatre are about to stage a new version to bring the play’s honest, down to earth characters to a new generation of theatre goers.
No prizes too for guessing why Delaney was such a formative influence on the young Steven Patrick Morrissey.
Labelling A Taste of Honey as a ‘kitchen sink realism’ might lead you expect a mundane and bleak drama. Nothing could be further from the truth. This is a play (and movie) that fizzes with energy and humourously challenges popular preconceptions about so-called ’ordinary’ working class lives in Northern Britain. Continue reading