I want to shout it from the rooftops but I’m rubbish at climbing and I’m afraid I’ll fall.
I’ll blog the news instead that Love’s Crushing Diamond by Mutual Benefit is the best record I’ve heard all year.
I don’t usually look for music tips from Pitchfork Media – I’m too frequently irritated by their show-off reviewers and their keenness to demonstrate their hipster credentials.
But I’m eternally grateful to Ian Cohen’s enthusiastic write-up for bringing to my attention this instantly appealing and spontaneously joyful release.
Cohen is right to draw comparisons to Devendra Banhart (and other freak folksters) and to note that these lovely songs are about as un-macho and quietly endearing as you can get. View full article »
Until 8am this morning that I didn’t even know that a new Devendra Banhart was about to drop (on 12th March).
The excellent NPR first listen allows a sneak preview. It’s called Mala and is released on Nonesuch Records
I decided to try an experiment. I made a point of not reading any pre-publicity and listened to the whole album from start to finish without even checking what the tracks were called – the titles are the only words I added later. it’s not a proper review – just a series of impressions. View full article »
In 2006, a Dutch filmmaker named David Kleijwegt made a TV documentary called ‘The Eternal Children‘ about the kooky sisters CocoRosie . It connected their music and petulant refusal to behave like sensible grownups with other musicians, including Devendra Banhart, William Basinski and Anthony & The Johnsons.
Six years on, something of the innocence and freshness of the New Weird America has faded but it seems to me that there are many artists who still want to preserve and promote a sense of childlike wonder both in the music they make and the tie-in visuals they commission. This is not so surprising when the alternative is the cynical adult marketing behind the crude bump and grind of MTV videos.
This fact struck me again when watching the beautiful animation by Crush Creative to Jónsi‘s Gathering Stories, a song from the latest Cameron Crowe movie We Bought A Zoo.
You can see the same spirit pervading the images in Ólafur Arnalds’ Hægt, kemur ljósið (directed by Esteban Diácono) from the Icelander’s 2010 album: ‘…and they have escaped the weight of darkness’.
You can then compare these with an older tune – The Lake by Antony and the Johnsons, a wonderful tune based on a poem by Edgar Allen Poe and animated by Adam Shecter.
Jansch from 1965
Sad to read of the passing of one of Bert Jansch at the age of 67.
Bert was one of the towering figures of British Folk and Blues and also an inspiration to a new generation of artists in the UK and America.
Those who influenced by his distinctive guitar playing style include Jimmy Page, Neil Young, Johnny Marr and Devendra Banhart.
Colin Harper‘s book Dazzling Stranger and the exemplary CD compilation curated by Harper are the best introductions to his work and will help to ensure he is not forgotten.
Todd Solondz’s Life During Wartime is a quasi-sequel to his controversial 1998 movie Happiness. Like Happiness the plot revolves around three sisters – Joy, Trish and Helen. Joy is plagued by the ghosts of dead lovers, Helen is“crushed by the enormity of her success” and Trish just wants a man who isn’t screwed up.
Confusingly, the main characters are the same but the actors are different ; I didn’t , for instance, connect Phillip Seymour Hoffman’s Allen with the role played Michael K. Williams (It doesn’t help that I always see the latter as Omar from The Wire).
In explaining his unconventional approach Solondz said: “I was more interested in approaching these characters from a different angle and portraying them in a fresh light, and I wouldn’t have been able to do this if I had cast the same people”. View full article »