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doughnut book.jpgIn this important book, English economist Kate Raworth sets out an optimistic, many would say idealistic, vision of a new global economy that creates a thriving balance thanks to its distributive and regenerative design.

She is searching for the “sweet spot for humanity” arguing convincingly that the time is ripe for a radical rethink of the profit-driven model that runs, and ruins, too many lives stating that “now is a great moment for unlearning and relearning the fundamentals of economics”.

Given the way the world is rapidly spiraling out of control, it is sadly a case of now or never: “Ours is the first generation to properly understand the damage we have been doing to our planetary household, and probably the last generation with the chance to do something transformative about it”. View full article »

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The casual appeal of Damien Jurado

DAMIEN JURADO Live at the Bronson Club, Ravenna, Italy 2nd November 2018

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Josh Gordon (left) and Damien Jurado at The Bronson.

When it comes to clothes, Damien Jurado doesn’t make a great distinction between street and stage. In a well-worn sweatshirt, ripped jeans and old sneakers, he gives the impression that he’s wandered into the club only vaguely aware that there are paying guests to watch him perform.

And yet, far from being slobby or disrespectful, his casual attire is very much in keeping with the un-showy style of his music. His songs never go out of their way to grab the attention but, rather, they have a relaxing and slightly hypnotic quality.

They are relatively short so, rather than telling complete stories, they take on the quality of brief, introspective reflections. His finest songs like ‘Over Rainbows And Rainer’ and, my favorite, ‘A.M.Am’ manage to combine elements of melancholy and celebration.

The only cover he plays is ‘The Novelist’ by Richard Swift who sadly passed away in July of this year aged 41. Jurado makes a touching tribute to his late friend who he frequently collaborated with.

On stage in Ravenna, before a small, attentive seated audience, he is accompanied by gifted guitarist, Josh Gordon. Remarkably for such quiet, understated music, his songs sound even more intimate in a live setting.

Between each song he spends a minute or two patiently re-tuning his acoustic guitar (“It’s like tuning a harp”). He doesn’t speak much but he tells a lengthy anecdote by way of introduction to ‘Percy Faith’. which he once heard playing over the P.A. while boarding a plane from Seattle to LA. He was the last to take his seat conscious that the other passengers, annoyed by his lateness, were almost certainly oblivious to the fact he was composer of the music they were listening to. Not only that, but the plane’s hostess was unimpressed when he told her.

This story illustrates that Jurado never really expects anyone to be starstruck or even mildly dazzled by his modest fame. He simply writes great tunes which he sings in a soft, soothing voice that subtly draws you into his world.

A bio-friendly David Lynch

ROOM TO DREAM by David Lynch & Kristine McKenna (Canongate Books, 2018)
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This is book for those who love David Lynch and his unique art life. If this part memoir-part biography is to be believed, this includes approximately 99% of the population.

In all the interviews with friends, family, ex-wives and actors practically no-one has a bad word to say about him and the level of critical analysis is about as deep as an article in Hello magazine. I’m a huge admirer of Lynch’s work but even I wearied the constant fawning tone adopted by journalist Kristine McKenna.

The book’s structure provides that a chapter of biographical details by McKenna is followed by one by Lynch who corrects any errors and adds his own memories. The introduction states: “What you’re reading here is basically a person having a conversation with his own biography”.

In principle this seems like a good plan. What we know of Lynch  is that he plays his cards very close to his chest. He gives relatively few interviews and never explains his strange visions. The most you’ll get out of him is that his ideas come from dreams, chance encounters or overheard snippets of conversation. View full article »

BRAVE NEW WORLD by Aldous Huxley (1931)

huxleyIn his foreword, Aldous Huxley wrote that “A book about the future can interest us only of its proficies look as though they might conceivably come true”. Unfortunately for us, his nightmarish visions are increasingly coming to seem all too accurate.

Almost half a century before the birth of the world’s first ‘test tube’ baby, Huxley imagined how “newly unbottled babes” might be used to “improve on nature” by replacing the need for parents and what he provocatively defined as the “appalling dangers of family life”. In the ‘new world’ human genes are manipulated to produce docile and efficient workers and consumers.

The promise of sexual freedom and the encouragement of promiscuity serves as a compensation for the absence of political or economic liberty. Dumb movies known as ‘feelies’ have an additional sedating function while a legal drug called ‘soma’ is taken to avert any lingering gloomy thoughts. View full article »

To Throw Away Unopened by Viv Albertine (Faber & Faber, 2018)

vivThis is not a memoir about music but if you come to it as a fan of The Slits you will not be disappointed by the embodiment of the punk spirit that Viv Albertine represents.

In it, she describes herself as questioning, militant, aggressive, secretly shy, awkward, mistrustful and solitary. View full article »

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