Who wants to watch an entire film about veganism? Well, I do but I am already converted to the cause so I don’t really count.
Comedian Simon Amstell is aware that preaching to the choir isn’t going to change hearts, minds and eating habits. His savvy BBC film is therefore aimed at the not so silent majority who still cling to the outdated notion that being a vegan is unachievable, extremist and faintly ridiculous. View full article »
So far this year I have read two prize-winning ‘novels’ – The Sell Out by Paul Beatty (Man Booker) and The Sympathizer by Viet Thanh Nguyen (Pulitzer).
Both have been widely praised for their craft and cleverness. Both left me wondering what happened to good old-fashioned storytelling. These are driven by themes rather than plots, each with an unnamed narrator respectively reflecting upon racism in America and perceptions of the Vietnam war.
The weightiness and worthiness of the topics is beyond doubt but masked by a knowing irony; neither author has any interest in a conventional narrative with a start-middle & end.
Far be it from me to knock the post-modernist slant of these works. As a worshipper of David Foster Wallace, I am fully aware that modern truths cannot always be told in a linear style but at the same time I find myself increasingly missing characters and plots.
I have come to realize just how many classics of English literature I know but have never read; for example Gulliver’s Travels and Robinson Crusoe. While re-reading Infinite Jest I now intend to plug these gaps. Pre-modernism here I come.
THE SYMPATHIZER by Viet Thanh Nguyen (Corsair, 2015)
Vietnam was a war that was technically won by the Viet Cong but which American are reluctant to concede to having lost. The unnamed Vietnamese Army Captain narrating this tale has sympathies with both sides but this only serves to place him between a rock and a hard place.
As a reluctant revolutionary he pleads guilty to the charge of being westernized, admitting: “If longing for riches made me a Occidentalist, I confess to it”. As a uncomitted communist he sees no attraction in the authentic “rustic realities” of village life in Saigon.
While not being blind to the faults of the US, he recognizes that there is more freedom of speech than in his homeland. This, together with air conditioning, an efficient traffic system and the modernist novel are among the other things that he admires. On the down side, he reviles the American knack for putting a positive spin on defeat and for hyping up the benefits of individualism. View full article »
TRAINSPOTTING 2 directed by Danny Boyle (UK, 2016)
I was a big fan of the 1970s British sit com ‘Whatever Happened To The Likely Lads’ in which two buddies meet up again after drifting apart for five years.
When they reconnect, one, Bob Ferris (Rodney Bewes) is nurturing nouveau riche trappings and getting settled into a cosy, middle-class suburban niche complete with a conventional, status conscious, fiancé. Meanwhile, Terry Collier (James Bolan) remains stubbornly working class. He is back from Germany after a failed marriage and a wound sustained during military service that he prefers not to talk about.
“What became of those people we used to be”, ran the show’s theme tune and this is also the unspoken question that hangs over Danny Boyle’s sequel to the hugely successly 1996 Trainspotting movie. View full article »