Category: ageing


TRAINSPOTTING 2 directed by Danny Boyle (UK, 2016)

trainspotting2posterI was a big fan of the 1970s British sit com ‘Whatever Happened To The Likely Lads’ in which two buddies meet up again after drifting apart for five years.

When they reconnect, one, Bob Ferris (Rodney Bewes) is nurturing nouveau riche trappings and getting settled into a cosy, middle-class suburban niche complete with a conventional, status conscious, fiancé. Meanwhile, Terry Collier (James Bolan) remains stubbornly working class. He is back from Germany after a failed marriage and a wound sustained during military service that he prefers not to talk about.

“What became of those people we used to be”, ran the show’s theme tune and this is also the unspoken question that hangs over Danny Boyle’s sequel to the hugely successly 1996 Trainspotting movie. Continue reading

GIMME DANGER directed by Jim Jarmusch (USA, 2016)

220px-gimme_danger“Things have been tough without the dum dum boys” sang Iggy Pop as a tribute to the original Stooges on his 1977 comeback album The Idiot, a collaboration with David Bowie that helped ensure that “the world’s forgotten boy” will not only be remembered but also elevated him to the status of one of rock’s great innovators and survivors.

This is a movie about The Stooges and a fan’s tribute to Iggy’s role in the iconoclastic band from Detroit.

Now fast approaching 70, Iggy still looks in remarkably rude health and is still performing bare-chested to show off his incredibly muscular physique. Despite many years of various addictions and regular self abuse he is living proof that,contrary to conventional wisdom, the drugs do sometimes work. Continue reading

Why Woolf Works works

woolfworksIt might seem an odd notion to base a dance performance on three novels by Virginia Woolf, but Wayne McGregor is a choreographer who makes his own rules. He proves that great prose can inspire and captivate in the same way that the rhythmic flow of lyrical poetry can.

Woolf Works was premiered to huge acclaim in 2015 and is divided into three sections: ‘I Now, I Then’ is based on the themes in Mrs Dalloway; ‘Becomings’ takes its cues from the surreal wit & vitality of Orlando and ‘Tuesday’ is inspired by The Waves, Woolf’s most experimental novel.

This final section is also named after the heading to the suicide note Woolf left for her husband. This letter, which begins “I feel certain that I’m going mad again”, is beautifully read by Gillian Anderson as a preface to the profoundly moving conclusion.

The revival of these pieces was a hot ticket at The Royal Opera House but has now reached a wider audience thanks to a live worldwide broadcast in over 1,500 cinemas and more than 35 countries on February 8th 2017. Continue reading

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I, DANIEL BLAKE directed by Ken Loach (UK, 2016)

blakeIn part 12 of his illuminating Channel 4 documentary series on The Story Of Film, Mark Cousins focused on notable directors from around the world like John Sayles in the US and Krzysztof Kieslowski in Poland who were prepared to stand up for worthy, though unfashionable, political causes.

The connecting theme was what Cousins frequently referred to as ‘speaking truth to power’, a phrase that originated with the Quaker movement in the 1950s and was later adopted in the United States as a rallying call to those opposing the dark forces of Fascism and totalitarianism.

For half a century, Ken Loach has followed this principle by being a voice for the dispossessed and downtrodden in society. He opposes the political establishment that serves the masters yet ignores the slaves. He stands against systems which sustain the healthy and the wealthy but provide little nourishment to the poor and needy. Continue reading

ACADEMY STREET by Mary Costello (Canongate Books, 2014)
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Mary Costello’s bold and compassionate debut novel initially gives the impression it will be an uplifting life story of female empowerment.

It begins  in the 1940s and is set in Western Ireland. In this time and place we meet Tess, aged 8, immediately after the sudden death of her beloved mother.

The bewilderment and uncertainty this loss produces is brilliantly evoked as is the child’s difficult relationship with her harsh and uncommunicative father.

Surely things can only get better and with Angela’s Ashes in mind you envisage emigration from Ireland to America to be the harbinger of hope and good fortune. Continue reading

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