Nowadays it often seems increasing redundant, even prudish, to claim that there’s anything wrong with pornography.
In essence, sex has become just another commodity to be casually consumed then discarded.
In my view, the typical check list of arguments against porn don’t get at the heart of the matter.
Paul Thomas Anderson’s Boogie Nights (1997) and the casting of porn actor James Deen in Paul Shrader’s The Canyons (2013) is a measure of the more laissez-faire attitude to the so-called ‘adult entertainment’ industry. Continue reading
ONLY LOVERS LEFT ALIVE directed by Jim Jarmusch (UK / Germany, 2013)
The future’s so dark you have to wear shades.
Adam and Eve (Tom Hiddleson & Tilda Swinton) must be the coolest vampires ever to haunt the big screen.
They look so perfect together – an Emo Goth and an ice maiden, black on white.
A still of them lying naked together is so faultless it looks suspiciously like it’s been photo-shopped but who cares?
As an ageless undead couple they are resigned to living by night; wearing shades to protect their eyes from the glare of moonlight. Continue reading
The Crying Of Lot 49′ by Thomas Pynchon (first published in 1967)
This is not a review because, having struggled with this novel, I can’t think of anything meaningful to say that hasn’t already been said elsewhere on the net. It has the feel of a novel written while under the influence of LSD and probably makes more sense if the reader is tripping too.
Here are two quotes from pg 66 of the Picador paperback edition I read :
“Oedipa wondered whether, at the end of this (if it were supposed to end) she too might not be left with only compiled memories of clues, announcements. intimations, but never the central truth itself, which must somehow each time be too bright for her memory to hold; which must always blaze out, destroying its own message irreversibly; leaving an overexposed blank when the ordinary world came back”.
“I’m not sure I understand, Oedipa said”. Continue reading
SIGNIFYING RAPPERS by David Foster Wallace & Mark Costello
(Back Bay Books, 2013 – originally published 1990).
“Can blue men sing the whites, or are they hypocrites?” was the surreal and satirical question posed by the Bonzo Dog Band in 1968. In Signifying Rappers, David Foster Wallace (DFW) and Mark Costello are more in earnest when they ask themselves “What business do two white yuppies have trying to do a sampler on rap?”
In both instances, the question could be reframed as ‘What do privileged white people know about the music of disenfranchised blacks?’
Section one of the DFW & Costello’s book is called ‘Entitlement’ and, in it, they seek to convince the readers that they are qualified to analyse rap music despite being of the ‘wrong’ class and color. We learn of their frustration with Punk and other supposedly anti-establishment music which has been appropriated by the mainstream as the acceptable (i.e. unthreatening) face of rebellion. Continue reading