Category: Movies


The heartless horror of Mother!

MOTHER! directed by Darren Aronofsky (USA, 2017)
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Beware of films with exclamation marks in the title!

“Mother! is a movie designed to provoke fury, ecstasy, madness, and catharsis, and more than a little awe”.  This verdict is from a review in Vox that Darren Aronofsky says ‘gets it’.

It culminates in an apocalyptic finale that works on the theory that nothing succeeds like excess. It is shocking in the sense of being shockingly awful.

If Aronofsky’s goal was to get under my skin he succeeded but, while I usually gain a perverse pleasure from mindfuck or body horror movies, this one left me cold and with feelings of distaste and repulsion. Continue reading

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WALK WITH ME  directed by Max Pugh and Marc J Francis (USA, 2017)

walkwithmeThis movie shows the daily routine and rituals of monks and nuns in the secluded monastery of Zen master Thich Nhat Hanh’s Plum Village in the South West of France.

The key teaching is that, through mindfulness, we can learn to live happily in the present moment. The goal of the cinematic distribution campaign is “about turning movie theaters into meditation halls, and bringing communities together for a common goal”.

This message was lost on the woman sitting in front of me in the cinema who spent most of the time glued to her mobile phone!

The practice of mindfulness may have reached the mainstream but the number of people prepared to give up their daily distractions and possessions is still limited.  My impression is that most want a quick fix rather than a permanent lifestyle change. Continue reading

ENGLAND IS MINE directed by Mark Gill (UK, 2017)

England_is_MineIn the British Indie music scene the meeting of Marr and Morrissey is comparable in importance to that of Lennon and McCartney. Nevertheless, this biopic of Steven Patrick Morrissey is not about this alliance or indeed any aspect of the music the two made together with The Smiths.

Instead, the movie seeks to piece together the details of Morrissey’s life before he became famous. It explores the surroundings and events that inspired his amazing songs and made the band so unique. The title comes from the lyrics to the song ‘Still Ill’ : “England is mine, it owes me a living, ask me why and I’ll spit in your eye”.

We see the young Morrissey as a shaggy-haired lost soul sucked into deadend jobs and living in the grey suburbs of Manchester, a city significantly drabber and less dynamic then than it is now. The early 1970s was a grim period and that’s just the way it looks.

The key relationships for Morrissey were with strong women – a platonic girlfriend named Angie, budding artist Linder Sterling and his mother. When he complains that he can’t fit in anywhere his mother wisely advises him to “Create your own world”. Continue reading

‘Twin Peaks Season 3 – The Return’ directed by David Lynch

twinpIt goes without saying that David Lynch divides audiences. His surreal visions of the world and the tall tales he weaves are never going to be to everyone’s taste.

The naysayers continually complain of the absence of linear narrative in his work, or point to the wilful weirdness, the stilted dialogue and the wooden acting. Actually, a lot of the time, all these criticisms are valid but what count as weaknesses in other auteurs turn into strengths in the Lynchian universe. Continue reading

I Am Not Your Negro directed by Raoul Peck (USA, 2016)
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The story of Black men and women in America is not a pretty one. This is an understatement. From slavery and segregation to the present day struggle to convince diehard bigots that their lives matter, the story is dominated by violence and oppression.

This sobering documentary may focus mainly on events from the past but it is no abstract history lesson.

The film is based on James Baldwin’s ‘Remember This House’, his uncompleted memoirs about Malcolm X, Martin Luther King and Medgar Evers; three prominent civil rights activists who were all assassinated in the 1960s before they reached 40. Continue reading

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