VINYLMANIA:WHEN LIFE RUNS AT 33 REVOLUTIONS A MINUTE directed by Paolo Campania (Italy, 2012)
Vinylmania is a lively, good-humoured documentary which was chosen as the official Record Store Day film in 2012 and is also being shown at many stores this year.
When it comes to music, Italian director Paolo Campana passionately believes that there is no substitute for the analogue sounds of vinyl. At the beginning of this 75 minute documentary he rejects the digital alternative saying “a click is not enough”.
CDs were originally marketed as offering a superior sound to the established format, something that even non-audiophiles now recognise as baloney. London-based DJ Eddie Piller puts in simple terms : “nothing sounds better than vinyl”. Continue reading
AMERICAN HUSTLE directed by David O. Russell (USA, 2013)
Following on his superb Silver Linings Playback, David O.Russell makes use of some of the same actors for this highly enjoyable yarn inspired by a FBI operation that went pear-shaped in the late 1970s; hence the pre-credits caption: “Some of this actually happened”.
The sting of a sting of a sting tale left me floundering to follow all the twists and turns of the plot so it’s probably a movie that benefits from a second viewing (I’m only glad I didn’t see it dubbed into Italian!).
Having trimmed down and worked out for The Fighter, Christian Bale has flabbed up for his role as Irving Rosenfield and is all but unrecognisable. With his dodgy hair piece and very 70s fashion sense, he looks like he’s adopted Frank Booth’s smart man disguise from David Lynch’s Blue Velvet.
As a slick con artist, his partner in crime is the seductive Sydney Prosser (Amy Adams) who pretends to be an aristocratic English woman Lady Edith Greensly because this sucks in more victims – desperate men in search of loans. Continue reading
The 7″ single Carnival/Canter on the DIY imprint ITLAN based in Edinburgh, Scotland marks the welcome, and long overdue, return of Tissø Lake, the recording project of Ian Humberstone.
I blogged about his album Song Of The Black Dog in 2008 but since early 2010 he has gone off the radar.
Now he’s back and the good news is that the single will be closely followed (on April 14th) by a re-release of ‘The Hollow Wood And Wondrous Cold’ which was recorded in 2005. Unless you live in America and snapped up a copy of this on the now defunct Banazan Records label, the ten tracks on this mini album will also be new to you.
Both records are highly recommended for lovers of quiet, introspective folk music. I love ghostly yet intimate quality of his songs which, to borrow a line from the song I Am A Lake, leaves you with the feeling of being “breathless and alive”.
Ian very kindly agreed to answer a few questions about his song writing and the background to these releases:
How come The Hollow Wood And Wondrous Cold was only released in the U.S and why has it taken 8 years to reach Europe?
The Hollow Wood and Wondrous Cold was recorded when I was still in my teens, making music with whichever instruments fell to my hands, borrowed microphones and a reel-to-reel recorder salvaged from a local sixth-form college (it was headed for the skip, though with some care it’s served me well since). There were few people interested in releasing the album at the time and the best offer came from a U.S. label who wanted exclusive rights to the album. Those rights only recently expired, freeing up the record for re-release. Continue reading
Neil Young says he’s not an audiophile but his Pono music device is surely destined to get most of the early adoration from discerning hi-fi enthusiasts.
Young’s pledge is that with he is saving a dying art form but lossy music and streaming sites are what most consumers have grown up with and persuading the masses that they need another format and dedicated player is a hard sell.
On top of that, the failure of the Super Audio CD (SACD) does suggest that there is at best only a relatively small market straining at the leash for high-resolution digital audio. Having said that, the huge success of the Kickstarter campaign means that Shakey’s brainchild should not be dismissed out of hand. Continue reading