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erwitt forliToday I visited the exhibition of Elliot Erwitt photographs at the San Dominico gallery in Forlì, Italy.

Many of the American photographer’s pictures were familiar although he is not a household name (at least not in my household).

The exhibition presents black and white + later color photos covering Erwitt’s long career – he is now 89 and still working.

Although the presentation of these images was haphazard and the audio commentary irritatingly superficial, it was well worth seeing.

Although Erwitt photographed many prominent figures, notably Marilyn Monroe, Che Guevara and John F. Kennedy it is his eye for the absurdities of everyday life that are most memorable with dogs being a frequent subject.

One of my favorite images was taken at Prado Museum in Madrid in 1995 . This shows that Francesco Goya’s reclining nude of Maja is a big hit with male gazers while the clothed image of the same woman fully clothed has a lone female viewer.

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161037Quote of the day.

In Alasdair Gray’s ‘Lanark,  the protagonist and aspiring writer is reflecting on  the two main types of novels he found in his local public library:

“One kind was a sort or written cinema, with plenty of action and hardly any thought. The other kind was about clever unhappy people, often authors themselves, who thought a lot but didn’t do very much”.

A sweeping generalization perhaps, but there is a lot of truth in this.

HIGH RISE directed by Ben Wheatley (UK, 2015)

high_rise_2014_film_posterIf this movie had met with universal critical acclaim or had achieved commercial success it would almost certainly have denoted its failure in artistic terms. Fortunately, therefore, it polarized the press and bombed at the box office.

J.G. Ballard’s novel (published in 1975) was meant as a morbid, provocative slice of entertainment designed to leave readers absorbed but seriously spooked. It begins arrestingly: “Later, as he sat on his balcony eating the dog, Doctor Robert Laing reflected on the unusual events that had taken place within this huge apartment building during the previous three months”.

This big screen adaptation has a similarly jarring impact since, in Ben Wheatley, we have a director whose mindset is every bit as warped as the polite but misanthropic English writer. View full article »

The heartless horror of Mother!

MOTHER! directed by Darren Aronofsky (USA, 2017)
mother1

Beware of films with exclamation marks in the title!

“Mother! is a movie designed to provoke fury, ecstasy, madness, and catharsis, and more than a little awe”.  This verdict is from a review in Vox that Darren Aronofsky says ‘gets it’.

It culminates in an apocalyptic finale that works on the theory that nothing succeeds like excess. It is shocking in the sense of being shockingly awful.

If Aronofsky’s goal was to get under my skin he succeeded but, while I usually gain a perverse pleasure from mindfuck or body horror movies, this one left me cold and with feelings of distaste and repulsion. View full article »

plantbasedThe UK monthly magazine ‘Cook Vegan’ is from now on to be known as ‘Plant Based’ and carries the subtitle ‘The Food Revolution’ .

In the editorial to the first issue under the new name (October 2017), assistant editor Blake Roberts writes  “Everything in this magazine is still vegan and we only want to expand and improve upon the content that you’re used to. However, we believe that if we are to make veganism more accessible for all, it is important that everybody feels part of it; under our new title we feel we can encourage even more people to embrace a plant-based lifestyle”.

In this way he seeking to reassure readers that this is a magazine that is solely focused on diet, health and recipes. It is still all about cooking, in other words.

But he also raises a more questionable point. Reading between the lines, he is suggesting that the label  ‘vegan’ is problematic in that it is automatically connected to lifestyle choices that go beyond what you keep in your fridge or serve up at mealtimes. View full article »

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