Tag Archive: Gillian Anderson

220px-george_charles_beresford_-_virginia_woolf_in_1902_-_restorationOn this day in 1941 Virginia Woolf took her own life aged 59 by  weighing down her jacket with stones and drowning in the River Ouse near her home in Sussex, England.

By way of tribute, below is a You Tube link to Max Richter’s haunting music composed for Wayne McGregor’s Woolf Works which begins with a reading of Woolf’s suicide note to her husband, signed ‘V’ which is beautifully read by Gillian Anderson. Continue reading


Why Woolf Works works

woolfworksIt might seem an odd notion to base a dance performance on three novels by Virginia Woolf, but Wayne McGregor is a choreographer who makes his own rules. He proves that great prose can inspire and captivate in the same way that the rhythmic flow of lyrical poetry can.

Woolf Works was premiered to huge acclaim in 2015 and is divided into three sections: ‘I Now, I Then’ is based on the themes in Mrs Dalloway; ‘Becomings’ takes its cues from the surreal wit & vitality of Orlando and ‘Tuesday’ is inspired by The Waves, Woolf’s most experimental novel.

This final section is also named after the heading to the suicide note Woolf left for her husband. This letter, which begins “I feel certain that I’m going mad again”, is beautifully read by Gillian Anderson as a preface to the profoundly moving conclusion.

The revival of these pieces was a hot ticket at The Royal Opera House but has now reached a wider audience thanks to a live worldwide broadcast in over 1,500 cinemas and more than 35 countries on February 8th 2017. Continue reading

Despite the triumphant eight hour version of Bleak House in 2005, there was talk of the BBC cutting back on costume dramas and putting Charles Dickens adaptations on hold.

Thankfully, there seems to have been a rethink at Broadcasting House and so we were treated to a marvellous three part version of Great Expectations over Christmas and can look forward to The Mystery of Edwin Drood soon.

The BBC is to Dickens what Fox television is to reactionary journalism and the festive period is the ideal time of year to watch these dramas. Continue reading


The BBC are currently moving away from the so-called ‘bonnet drama’ of classic British authors like Jane Austin and Anthony Trollope.

The loss is nobody’s gain since these costume dramas based on classic novels  represent the Beeb at its best and also offer the chance to marvel at the wealth of acting talent in the UK.

This short-sighted policy means that audiences will be denied towering works like Bleak House, adapted by Andrew Davies, which was produced before the policy change. I missed this when it came out in 2005 but have just consumed in three nights on dvd.

Ironically though, in this case it is an American actress , Gillian (‘X-Files’) Anderson, as Lady Dedlock who all but steals the show as the proud and ambitious wife of Sir Leicester Delock whose shady past comes back to haunt her. Her marvellous performance is a study of elegant poise as her world slowly crumbles.

Phil Davis as Smallweed ("Shake me up, Judy!")

But she is just one of a quite exceptional cast  including Charles Dance (as the sinister Mr Tulkinghorn), Alun Armstrong (as the indefatigable Inspector Bucket), Denis Lawson (as the good-natured John Jarndyce), Burn Gorman (as the gormless Guppy), Johnny Vegas (as the squalid Krook) , Anna Maxwell-Martin (as the prudent and self-denying Ester Sommerson ) and, my favourite, Phil Davis (as the grotesque Smallweed).

It is just about the best adaptation of a Charles Dickens novel I have ever seen. It even tops David Lean’s brilliant movies of  Great Expectations and Oliver Twist mainly because, with a running time of 8 hours, the BBC production is able to do justice to the rich tapestry of the novel.  Being divided into half hour episodes also allows it to recreate the cliffhanger endings that were a feature of the novel’s first publication in monthly instalments.

Bring back the bonnets, I say!

Related links:
The Secrets and Lies behind Phil Davis (Sunday Times)
BBC drama is going down-market, says Andrew Davies (The Guardian)

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