TRAINSPOTTING 2 directed by Danny Boyle (UK, 2016)
I was a big fan of the 1970s British sit com ‘Whatever Happened To The Likely Lads’ in which two buddies meet up again after drifting apart for five years.
When they reconnect, one, Bob Ferris (Rodney Bewes) is nurturing nouveau riche trappings and getting settled into a cosy, middle-class suburban niche complete with a conventional, status conscious, fiancé. Meanwhile, Terry Collier (James Bolan) remains stubbornly working class. He is back from Germany after a failed marriage and a wound sustained during military service that he prefers not to talk about.
“What became of those people we used to be”, ran the show’s theme tune and this is also the unspoken question that hangs over Danny Boyle’s sequel to the hugely successly 1996 Trainspotting movie. Continue reading
PATERSON directed by Jim Jarmusch (USA, 2016)
What does take to be a poet? A way with words and a keen eye helps. Then you need time, both to think and to write. The Welsh poet, W.H. Davies wrote “A poor life this is if, full of care, we have no time to stand and stare”, the first lines of ‘Leisure’ published in 1911.
The title of Jim Jarmusch’s gentle and warm-hearted movie has three main points of reference: Paterson, the city in New Jersey, the title of an epic poem by William Carlos Williams and the name of a conscientious bus driver.
The location is the birthplace of Lou Costello of Abbot & Costello fame and it is also where a triple homicide took place that led to the wrongful arrest of Rubin ‘Hurricane’ Carter in 1966. Continue reading
SHOCK AND AWE – GLAM ROCK AND ITS LEGACY by Simon Reynolds (Faber & Faber,2016)
“Got your mother in a whirl ‘cos she’s not sure if you’re a boy or a girl” – David Bowie (Rebel Rebel)
“Even the greatest stars live their lives in the looking glass” – Kraftwork (Hall Of Mirrors)
“There’s something in the air of which we will all be aware yeah yeah yeah yeah yeah” – Sweet (Teenage Rampage)
“Whatever happened to the heroes?”- The Stranglers (No More Heroes)
It’s fair to say Glam Rock has never really been taken all that seriously. Being casually dismissed as a joke genre is partly what drove Simon Reynolds to write this impressively weighty tome.
In so doing, he proves that this musical phenomenon deserves to be more than just an amusing footnote in the story of popular music. The author doesn’t claim that all the music tagged as Glam (or Glitter is you’re American) is of a universally high standard yet, even at its most crass and commercial, Reynolds endorses the viewpoint of Noel Coward who once wryly observed : “It’s extraordinary how potent cheap music is”. Continue reading
INTIMACY directed by Patrice Chéreau (UK, 2001)
Sex in movies or music videos is mostly more concerned with titillation than realism while in porn its primary function is stimulation.
The makers of Intimacy, based on a short story by Hanif Kureishi, adopt a less glossy and therefore more adult perspective.
In the movie, scenes of coupling are explicit, including un-simulated fellatio. Little is left to the imagination but, equally, nothing is particularly arousing.
On the contrary, the sex act is reduced to the level of a basic human need (like eating and sleeping but more energetic).
This is fucking not lovemaking and seems more akin to an act of penance than passion. Once the desire is satiated, words are unnecessary and the two go their separate ways arranging only to meet again the same day (Wednesday) the next week. Continue reading