My song and video of the year is Sia’s Chandelier. A fascination with the video came first. Part dance, part gymnastics, 11-year-old Maddie Zieger’s remarkable performance is more about cathartic emotional expression than classical ballet.
Like Wayne McGregor’s Random Dance, it appears spontaneous even though it was meticulously choreographed by Ryan Heffington.
His own video about how he put these moves together is full of unconventional instructions like ‘wounded dog’ and ‘robot bird’. Zieger got the call after Sia saw her on Dance Moms‘ reality show – a fame academy-style TV show featuring aspiring starlets. stroppy coaches and pushy parents.
The song itself initially sounds like the type of formulaic pop song Rihanna or Beyoncé might perform, not so surprising since Sia Furler has written tunes for both these artists (Diamonds and Pretty Hurts respectively). Continue reading
In the first video for ‘supergroup’ ,Atoms For Peace , Thom Yorke gets his dancing shoes on again.
“Ingenue” is taken from the band’s debut album, Amok, and Yorke performs with beautiful contemporary dancer Fukiko Takase.
This witty and stylish piece was directed and choreographed by the same team that gave us Radiohead’s “Lotus Flower” .
It was directed by Garth Jennings and choreographed by Random Dance founder, Wayne McGregor.
If you have seen Thom Yorke’s spazzy dance to Lotus Flower or the fight sequences in Harry Potter’s Goblets of Fire then you already know something of the choreography of Wayne McGregor.
The weirdness of the Yorke video is what first directed me to McGregor and hence to his Random Dance company. I am now officially a big fan after seeing an hour-long performance by ten Random dancers as part of this year’s Ravenna Festival.
Entity is a marvellously inventive piece of action theatre and the ideas that lie behind the work are equally fascinating.
The project evolved from McGregor’s interest in cognitive science and its relationship with “the technology of the body”.
Specifically he consulted scientists to try to gain a deeper understanding what happens in the brain during the non verbal communication that lies at the heart of creating a new dance work. In other words, he wanted to understand the process of choreography more fully from a cognitive perspective. Continue reading