Category: fiction


INFINITE JEST by David Foster Wallace (First published 1996)

infinite_notesInfinite Jest was written over two decades ago but is still remarkably topical in an age where the line between entertainment and ‘real life’ is increasingly blurred.

It is, by any standards, a big novel and a daunting proposition to all but the most dedicated reader. It stretches to 981 pages with a further 96 pages of footnotes to push it beyond the 1000 mark.

Footnote is probably a misnomer since many are more than just clarifications or references. One runs to 17 pages. This is not a novel you’d pick up lightly or cast aside easily (unless you wanted to do someone harm!). Continue reading

A HANDFUL OF DUST by Evelyn Waugh (First published, 1934)

dustIn his chosen career as a novelist Evelyn Waugh has to write about human beings but you get the strong feeling from this cynical and morally vacuous novel that he didn’t like people much. He became a committed Catholic soon afterwards and presumably he took comfort from an organized religion that takes it for granted that we are all born sinners.

Its title comes from a line in T.S. Eliot’s The Waste Land – “I will show you fear in a handful of dust” – an allusion to death given that someday all of us return to dust.

Like a vindictive deity or grim reaper, Waugh moves his sad characters around like someone idly engaged in a game of chess with himself. None of them are presented in a flattering light and their actions are mainly driven by apathy, ennui or spitefulness. They are well off, comfortably placed and bored out of their skins.

Continue reading

modernismSo far this year I have read two prize-winning ‘novels’ – The Sell Out by Paul Beatty (Man Booker) and The Sympathizer by Viet Thanh Nguyen (Pulitzer).

Both have been widely praised for their craft and cleverness. Both left me wondering what happened to good old-fashioned storytelling. These are driven by themes rather than plots, each with an unnamed narrator  respectively reflecting upon racism in America and perceptions of the Vietnam war.

The weightiness and worthiness of the topics is beyond doubt but masked by a knowing irony; neither author has any interest in a conventional narrative with a start-middle & end.

Far be it from me to knock the post-modernist slant of these works. As a worshipper of David Foster Wallace, I am fully aware that modern truths cannot always be told in a linear style but at the same time I find myself increasingly missing characters and plots.

I have come to realize just how many classics of English literature I know but have never read; for example Gulliver’s Travels and Robinson Crusoe. While re-reading Infinite Jest I now intend to plug these gaps. Pre-modernism here I come.

THE SYMPATHIZER by Viet Thanh Nguyen (Corsair, 2015)

51gf6tbbznl-_sx316_bo1204203200_Vietnam was a war that was technically won by the Viet Cong but which American are reluctant to concede to having lost. The unnamed Vietnamese Army Captain narrating this tale has sympathies with both sides but this only serves to place him between a rock and a hard place.

As a reluctant revolutionary he pleads guilty to the charge of being westernized, admitting: “If longing for riches made me a Occidentalist, I confess to it”. As a uncomitted communist he sees no attraction in the authentic “rustic realities” of village life in Saigon.

While not being blind to the faults of the US, he recognizes that there is more freedom of speech than in his homeland. This, together with air conditioning, an efficient traffic system and the modernist novel are among the other things that he admires. On the down side, he reviles the American knack for putting a positive spin on defeat and for hyping up the benefits of individualism. Continue reading

Why Woolf Works works

woolfworksIt might seem an odd notion to base a dance performance on three novels by Virginia Woolf, but Wayne McGregor is a choreographer who makes his own rules. He proves that great prose can inspire and captivate in the same way that the rhythmic flow of lyrical poetry can.

Woolf Works was premiered to huge acclaim in 2015 and is divided into three sections: ‘I Now, I Then’ is based on the themes in Mrs Dalloway; ‘Becomings’ takes its cues from the surreal wit & vitality of Orlando and ‘Tuesday’ is inspired by The Waves, Woolf’s most experimental novel.

This final section is also named after the heading to the suicide note Woolf left for her husband. This letter, which begins “I feel certain that I’m going mad again”, is beautifully read by Gillian Anderson as a preface to the profoundly moving conclusion.

The revival of these pieces was a hot ticket at The Royal Opera House but has now reached a wider audience thanks to a live worldwide broadcast in over 1,500 cinemas and more than 35 countries on February 8th 2017. Continue reading

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