Category: sex


MARY, QUEEN OF SCOTS directed by Josie Rourke (UK/USA, 2018)
THE FAVOURITE directed by Yorgos Lanthimos (UK/USA, 2018)

fight the powerfavourites

Personally, I blame Harvey Weinstein.

Were it not for him (and similar monsters) the gender politics that drive these two royal dramas would have been quite different.

Both are contemporary, feminist-orientated dramas which play fast and loose with notions of historical accuracy. The tone and thrust of each is to resolutely present women centre stage and very much in charge of their own destinies. Men are there to service their ambitions or else conveniently sidelined. Continue reading

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goodreads 2018.jpgSince 2014, I have set and maintained a relatively modest reading target on ‘Goodreads‘ of 50 titles a year. I find this website invaluable at the end of year when it comes to reviewing the books I’ve read.

Being gifted, and being thoroughly absorbed by, Kazuo Ishiguro’s ‘The Buried Giant’ led me to a reappraisal of the Nobel Prize Winner. Up until then, I’d read only ‘Remains Of The Day’ and hadn’t been particularly drawn to his other novels. The slow, deliberate pace and absence of colloquial language put me off but now this actually drew me in. Perhaps it’s an age thing. Ishiguro skillfully takes the reader deep into the mind and, above all, the memories of his characters. The only novel of his I haven’t read is ‘The Unconsoled’. Aside from the uncharacteristically messy ‘When We Were Orphans’, I rated all of his works very highly.

Getting fixated on this male author sabotaged my resolve to read more female writers this year. By the end of the year only 20 of the 50 were by women. Of these, my two favorite novels, one old and one new, were Sarah Waters’ quietly subversive ‘Fingersmith’ and Gail Honeyman’s funny/sad study of loneliness : ‘Eleanor Oliphant Is Completely Fine’. Continue reading

CAROL directed by Todd Haynes (USA, 2015)

carol_film_posterI borrowed this film from my local lending library in Cesena, Italy. This excellent ‘mediateca’,  somewhat anachronistically, continues to maintain a healthy stock of old and new DVDs.

In a card inside the case of more recent acquisitions you are invited to write what you think of the movie: “Lascia un commento, potresti convincere qulache indeciso” (Leave a comment – it may convince others who are undecided).

For Carol, there is just one review which (translated from Italian) states that it is “the story of an upper class woman who destroys the life of her husband and, not content with this, also ruins the life of a poor young working woman. All this in the name of a presumed sexual liberation. A film of homosexual propaganda”.

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The offending review of ‘Carol’.

This blinkered and spiteful reading of Todd Haynes’ elegant and intelligent movie illustrates that, despite some encouraging advances in LGBT rights, this is no time for complacency. Continue reading

 

SEX, LIES AND VIDEOTAPE directed by Steven Soderberg (USA, 1989)

sex & lies“All life is sex. All sex is competition”. James Spader’s line comes from a cameo appearance the US sitcom The Office but could easily stand as a tagline for his captivating lead performance as Graham Dalton in Sex, Lies And Videotape.

This independent movie had a huge impact when it was first released and watching it again , almost three decades on, I was struck about how it still holds up for its bravery, integrity and originality.

The themes of sexuality, fidelity and gender politics remain as relevant now as they did in 1989. Indeed, these issues are arguably even more significant in the wake of the plethora of #metoo related stories and Trump’s brazen capacity for lying. Digital technology would now replace videotape but everything else about the story rings true.

The film deals with the notoriously delicate topic of sex with a liberating degree of frankness and maturity. This is all the more remarkable given that Soderberg was only 26 when he wrote and directed it. He’s made some decent movies since but the audacity and boldness of youth still makes his debut his best work.

Significantly, there are no explicit sex scenes. Soderbach’s stated aim was that of challenging mainstream audiences with ideas rather than with nudity. Continue reading

DUNKIRK Try to contain your excitement but it’s almost Oscars night again!

This year, the Academy will doubtless be relieved if the ceremony passes without a hitch and that it makes the headlines for all the right reasons.

After spectacularly goofing up the best film award last year and being under the shadow of the Weinstein-related sex scandals, the spotlights in 2018 will be about as comforting as interrogation lamps.

Under this kind of intense public scrutiny, the stakes are high. Political correctness used to be routinely ridiculed but is now the order of the day and woe betide those who step or speak out of line. Continue reading

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