FRANCESCO DE GREGORI – live at Nuova Teatro Carisport, Cesena, Italy 8th April 2016
This concert is part of the ‘Amore e Furto’ (Love and Theft) tour – a reference to the subtitle of the ‘De Gregori Canta Bob Dylan’ album released in 2015.
Needless to say, a fair proportion of the show is devoted to songs from this record which does such a valuable public service to Italians, particularly those who know Dylan only on the basis of a few of his ‘greatest hits’. The translations were obviously a labour of love and do an exemplary job of conveying the quirky poetry and socio-political thrust of Dylan’s language.
The varied choice of covers are drawn from the full range of Dylan’s career, evidence of the 65-year-old Italian singer-songwriter’s long-standing adoration of ‘His Bobness’. (Evidenced by the fact that he has also shared the bill with Dylan on a number of occasions).
De Gregori wisely steers clear of the more obvious selections so, for instance, there’s no ‘Like A Rolling Stone’ or ‘Knocking On Heaven’s Door’. Inspired versions of Desolation Row (Via Della Povertà) and Not Dark Yet (Non è Buoi Ancora) reflect the inspirations of beat language and the contemplations of mortality just as effectively. Continue reading
ON WRITING – A MEMOIR by Stephen King (Hodder & Stoughton, 2000)
Instead of a book, this could easily have been a post on Facebook by his wife Tabby on why Stephen King would never write again.
It was finished as part of the recuperation following horrific injuries King sustained after being hit by a truck while walking near his home.
It takes King an average of three months to write the first draft of a novel. This ‘manual’ was only half finished after 18 months and its completion is a testament to his determination and love of the art and craft of writing. Continue reading
In this year’s BBC John Peel lecture, Brian Eno said that one of the failings of modern-day music critics is that they pay too much attention to song lyrics. As part of Roxy Music, Eno played on two of the greatest pop singles of all time – Virginia Plain and Pyjamarama – where the words add to the atmosphere but when considered apart from the music are ,at best, enigmatic, at worst, plain jibberish.
Even when songs do have an obvious meaning or tell a story, they should not be viewed in the same way as poems or works of fiction. This is why the ‘Rock In Translation’ slot of Italy’s Virgin Radio makes for such a torturous listening experience. On this, a woman earnestly reads the translated lyrics to popular tunes as though she were helping to impart some meaningful insight into the human condition. Lines in the vein of “come on baby rock me all night long” are rendered into Italian as though they were some kind of profound comments on the nature of loving relationships. Continue reading
In 2005, the late lamented David Foster Wallace made a memorable speech to graduating students of Kenyon College which was posthumously published under the title This Is Water.
A few years back, inspired by this, I decided to make my own humble address at the end of an advanced English language course in Italy which I called my ‘Where do we go from here?’ lesson.
Today, I found my notes and decided to post it here (complete with DFW style asides in italics).
It comes over as much more pretentious and self-conscious I think but I delivered it with the best of intentions, hoping to end the course on a thoughtful note rather than a lame ‘goodbye and good luck’ message.
Anyway, here it is warts and all (comments welcome):
Nowadays, it’s common to hear people talking about life-long learning.
[I ask who has heard of the phrase ‘lifelong learning’ – nobody has!]
One time, there was the mistaken idea that when you finished school or university, your official period of learning was finished – your next goal was to find work and earn a good salary. But learning is not a finite thing. In a very real sense it never ends. Continue reading
Question : When is a word not a word?
Answer : When it’s a pictograph.
This is not a joke and it makes the Oxford English Dictionary’s decision to name the ‘Face with Tears of Joy’ emoji as this year’s word of the year a very odd one indeed.
A more logical move would have been to give the title to ’emoji’ , a word borrowed from Japanese to denote ‘a small digital image or icon used to express an idea or emotion in electronic communication’.
The key word in this definition is ‘image‘. Unless Oxford University Press (OUP) have plans to turn their dictionary into a picture book it’s hard to fully understand the reasoning behind this.
Casper Grothwahl, the President of the Dictionaries Division highlights that these staples of teen texting culture have now entered the mainstream and therefore that there was a need to acknowledge what he calls this “obsessively immediate” form of communication.
More and more reference books now exist primarily in a digital format with embedded videos and suchlike. This obviously reflects the way we consume information but a distinction should still be made between language we use (i.e. words) and their visual equivalents.
Oxford Dictionary wants to be seen as an up to date resource rather than as a dusty repository of dead or dying language but I think they’ve made a dumb call here.