Category: gender


 

Walk Through Walls: A Memoir by Marina Abramović (2016)

marinaI suspect most will, like me, come to this illuminating book through the publicity surrounding Marina Abramović’s recent works of performance art like The Artist Is Present at MoMa New York (March 14 – May 31, 2010) and ‘512 Days’ at Serpentine Gallery, London in 2014 or through the numerous fascinating video interviews and talks to be found on You Tube.

These show her to be powerful woman who is both strikingly beautiful and rivetingly charismatic. It becomes clear after seeing and hearing her how she can so fully captivate audiences and inspire adulation. Through the force of her personality and strong physical presence she comes over like a cross like a dominatrix or femme fatale yet also exudes warmth, humor and compassion.

The memoir – ghostwritten by James Kaplan based on extensive interviews – reveals her as an all or nothing character for whom nothing short of total committment is good enough. Continue reading

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black-mirror-logoThese days I find most TV shows cringeworthy rather than bingeworthy. Black Mirror is the exception that proves the rule.

Charlie Brooker’s brilliant techie-themed tales of the unexpected continue to enthrall and entertain.

The six diverse new episodes in season 4 were released by Netflix on December 29th and I consumed them all eagerly in just a couple of days. Continue reading

Nico: a faded femme fatale

NICO, 1988 directed by Susanna Nicchiarelli (Italy/Belgium, 2017)

Nico-1988By common consensus, the career high of Nico (Christa Päffgen b. 16th October 1938 d. 18th July 1988) came in the late 1960s as a Warhol superstar in Chelsea Girls and as the singer of three songs on the The Velvet Underground’s groundbreaking debut album.

While a conventional biopic would have centred on this heady, decadent period, Susanna Nicchiarelli chooses instead to focus on the last three years of Nico’s life. At this point, the artist’s striking looks had declined to the point that she openly conceded that she’d become “a fat junky”.

As the film shows, Nico never stopped being feisty and firey but makes no bones about the fact that the looks which brought her fame had suffered through a life of excess. She is no longer the stunning blonde model whose long list of lovers included cult celebrities like Alain Delon, Brian Jones, John Cale and Jim Morrison. Continue reading

erwitt forliToday I visited the exhibition of Elliot Erwitt photographs at the San Dominico gallery in Forlì, Italy.

Many of the American photographer’s pictures were familiar although he is not a household name (at least not in my household).

The exhibition presents black and white + later color photos covering Erwitt’s long career – he is now 89 and still working.

Although the presentation of these images was haphazard and the audio commentary irritatingly superficial, it was well worth seeing.

Although Erwitt photographed many prominent figures, notably Marilyn Monroe, Che Guevara and John F. Kennedy it is his eye for the absurdities of everyday life that are most memorable with dogs being a frequent subject.

One of my favorite images was taken at Prado Museum in Madrid in 1995 . This shows that Francesco Goya’s reclining nude of Maja is a big hit with male gazers while the clothed image of the same woman fully clothed has a lone female viewer.

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Aldous Harding live at Hana-Bi, Ravenna – August 22nd 2017

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Aldous Harding at Hana-Bi

The striking stage presence and breathtaking vocal dexterity of New Zealand’s Aldous Harding is a thrill to behold.

The assured body language and the way she makes eye contact with members of the audience is in equal measures flirty and defiant. She is warm and genial between songs but then is like a woman possessed while singing. The focus and feeling this generated gave me goosebumps.

Her one hour set,accompanied by Invisible Familiars (Jared Samuel) on keyboards, begins where the new album, Party, ends.

In her song by song guide on NPR, she talks of ‘Swell Does The Skull’ as having the same “archaic fume” that fired the gothic folk songs on her self titled debut album but the baseball cap wearing Indie Girl who graced the cover of that record has evidently grown up and moved on. Continue reading

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