Category: gender


Movies for perverts

THE PERVERT’S GUIDE TO CINEMA written and presented by Slavok Žižek (Directed by Sophie Fiennes, 2006)
the_pervert27s_guide_to_cinema

The title of this enlightening three-part documentary is eye-catching but likely to be misleading.

A pervert is someone whose sexual behaviour is considered abnormal or unacceptable but this film is not a guide for those seeking gratification from soft or hardcore porn in modern movies.

The unconventional Slovenian philosopher & psychoanalyst examines how the function of cinema is to mediate between our ‘illicit’ drives and our socially conditioned actions.

In Freudian terms, this is the internal struggle between the id and the super-ego. Žižek states provocatively states that “we need the truth of a fiction to express what we really are” or, more ambiguously, “desire is a wound of reality”.

Watching movies, he argues, is not merely an escapist pastime but an essential means by which to show how reality is constructed. Continue reading

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MARY, QUEEN OF SCOTS directed by Josie Rourke (UK/USA, 2018)
THE FAVOURITE directed by Yorgos Lanthimos (UK/USA, 2018)

fight the powerfavourites

Personally, I blame Harvey Weinstein.

Were it not for him (and similar monsters) the gender politics that drive these two royal dramas would have been quite different.

Both are contemporary, feminist-orientated dramas which play fast and loose with notions of historical accuracy. The tone and thrust of each is to resolutely present women centre stage and very much in charge of their own destinies. Men are there to service their ambitions or else conveniently sidelined. Continue reading

goodreads 2018.jpgSince 2014, I have set and maintained a relatively modest reading target on ‘Goodreads‘ of 50 titles a year. I find this website invaluable at the end of year when it comes to reviewing the books I’ve read.

Being gifted, and being thoroughly absorbed by, Kazuo Ishiguro’s ‘The Buried Giant’ led me to a reappraisal of the Nobel Prize Winner. Up until then, I’d read only ‘Remains Of The Day’ and hadn’t been particularly drawn to his other novels. The slow, deliberate pace and absence of colloquial language put me off but now this actually drew me in. Perhaps it’s an age thing. Ishiguro skillfully takes the reader deep into the mind and, above all, the memories of his characters. The only novel of his I haven’t read is ‘The Unconsoled’. Aside from the uncharacteristically messy ‘When We Were Orphans’, I rated all of his works very highly.

Getting fixated on this male author sabotaged my resolve to read more female writers this year. By the end of the year only 20 of the 50 were by women. Of these, my two favorite novels, one old and one new, were Sarah Waters’ quietly subversive ‘Fingersmith’ and Gail Honeyman’s funny/sad study of loneliness : ‘Eleanor Oliphant Is Completely Fine’. Continue reading

WIDOWS directed by Steve McQueen (UK,USA 2018)

widows_282018_movie_poster29There are many reasons why the best TV series are more rewarding and creative than most current movies and Steve McQueen’s latest feature film illustrates why.

There’s something deeply unsatisfying and frustrating about seeing a complex, multi-layered plot condensed into just over two hours. A story divided into one hour episodes can take its time building nuanced characters and the twists, when they come, they don’t feel forced or rushed.

‘Widows’ is based on Lynda La Plante’s ITV series broadcast in the UK in the early 1980s. La Plante had previously written the peerless ‘Prime Suspect’ starring Helen Mirren which proved that ball-breaking women make compelling protagonists. Continue reading

To Throw Away Unopened by Viv Albertine (Faber & Faber, 2018)

vivThis is not a memoir about music but if you come to it as a fan of The Slits you will not be disappointed by the embodiment of the punk spirit that Viv Albertine represents.

In it, she describes herself as questioning, militant, aggressive, secretly shy, awkward, mistrustful and solitary. Continue reading

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